GRECO, El
Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,
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GRECO, El Mary Magdalen in Penitence oil painting


Mary Magdalen in Penitence
1578-80 Oil on canvas, 108 x 101 cm
Painting ID::  43785 		GRECO, El
Mary Magdalen in Penitence
1578-80 Oil on canvas, 108 x 101 cm
   
   
     
GRECO, El Apparition of the Virgin to St Lawrence oil painting


Apparition of the Virgin to St Lawrence
1578-80 Oil on canvas, 119 x 102 cm
Painting ID::  43786 		GRECO, El
Apparition of the Virgin to St Lawrence
1578-80 Oil on canvas, 119 x 102 cm
   
   
     
GRECO, El Portrait of a Gentleman from the Casa de Leiva oil painting


Portrait of a Gentleman from the Casa de Leiva
1580 Oil on canvas, 88 x 69 cm
Painting ID::  43787 		GRECO, El
Portrait of a Gentleman from the Casa de Leiva
1580 Oil on canvas, 88 x 69 cm
   
   
     
GRECO, El St Veronica Holding the Veil oil painting


St Veronica Holding the Veil
c. 1580 Oil on canvas, 84 x 91 cm
Painting ID::  43788 		GRECO, El
St Veronica Holding the Veil
c. 1580 Oil on canvas, 84 x 91 cm
   
   
     
GRECO, El Nobleman with his Hand on his Chest oil painting


Nobleman with his Hand on his Chest
1583-85 Oil on canvas, 81 x 66 cm
Painting ID::  43789 		GRECO, El
Nobleman with his Hand on his Chest
1583-85 Oil on canvas, 81 x 66 cm
   
   
     
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     GRECO, El
     Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,

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